Search results
Results from the WOW.Com Content Network
A donor portrait of Julius Argentarius may appear among the courtiers on the Justinian mosaic. The final cost amounted to 26,000 solidi [3] equal to 16.38 kilograms (36.11 lb) of gold. It has been suggested that Julius originated in the eastern part of the Byzantine Empire, where there was a long-standing tradition of public benefactions.
In Byzantine religious art, unlike the Classical Greek and Roman art that preceded it, symbolism became more important than realism. Instead of concentrating on making the most realistic images possible, mosaic artists of this time wanted to create idealized and sometimes exaggerated images of what existed inside the soul of a person.
Mosaic floor from the church on Mount Nebo (baptistery, 530) One of the earliest examples of Byzantine mosaic art in the region can be found on Mount Nebo, a place of pilgrimage in the Byzantine era where Moses died. Among the many 6th century mosaics in the church complex in an area known as Siyagha (discovered after 1933) the most interesting ...
Justinian I (/ dʒ ʌ ˈ s t ɪ n i ə n / just-IN-ee-ən; Latin: Iūstīniānus, Classical Latin pronunciation: [juːstiːniˈaːnʊs]; Ancient Greek: Ἰουστινιανός, romanized: Ioustinianós, Byzantine Greek pronunciation: [i.ustini.aˈnos]; 482 – 14 November 565), [b] also known as Justinian the Great, [c] was the Roman emperor from 527 to 565.
Mosaic from San Vitale in Ravenna, showing the Emperor Justinian and Bishop Maximian, surrounded by clerics and soldiers. Archangel ivory of the early 6th century from Constantinople. Significant changes in Byzantine art coincided with the reign of Justinian I (527–565). Justinian devoted much of his reign to reconquering Italy, North Africa ...
Map of the Byzantine-Persian frontier. Belisarius was born around the year 500, probably in Germania, [6] a fortified town of which some archaeological remains still exist, on the site of present-day Sapareva Banya in south-west Bulgaria, within the borders of Thrace and Paeonia, or in Germen, a town in Thrace near Orestiada, in present-day Greece. [7]
Emperor Constantine the Great presents a representation of the city of Constantinople as tribute to an enthroned Mary and baby Jesus in this church mosaic from the Hagia Sophia, c. 1000 edit Greek fire , first used by the Byzantine navy during the Byzantine–Arab Wars (miniature from the Madrid Skylitzes manuscript, Biblioteca Nacional de ...
The inscription reads Dominus Noster Iustiniianus Perpetuus Augustus [18] (Our Lord Justinian, Perpetual Augustus). The reverse shows Justinian, again with a nimbus, riding a richly-dressed horse whose harness recalls that of the horse on the Barberini ivory. In front of him is a Victory holding a palm and a trophy under her left arm.