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Exterior view of St. Vitale. The Basilica of San Vitale is a late antique church in Ravenna, Italy.The sixth-century church is an important surviving example of early Byzantine art and architecture, and its mosaics in particular are some of the most-studied works in Byzantine art.
The most important work of art here is the intact geometric mosaic floor of the refectory although the severely damaged church floor was similarly rich. [7] The mosaics in the church of the nearby Monastery of Euthymius are of later date (discovered in 1930). They were laid down in the Umayyad era, after a devastating earthquake in 659.
Byzantine mosaics are mosaics produced from the 4th to 15th [1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [2] and historically significant art forms produced in the empire, and they are still studied extensively by art historians. [3]
Justinian I (/ dʒ ʌ ˈ s t ɪ n i ə n / just-IN-ee-ən; Latin: Iūstīniānus, Classical Latin pronunciation: [juːstiːniˈaːnʊs]; Ancient Greek: Ἰουστινιανός, romanized: Ioustinianós, Byzantine Greek pronunciation: [i.ustini.aˈnos]; 482 – 14 November 565), [b] also known as Justinian the Great, [c] was the Roman emperor from 527 to 565.
Mosaic from San Vitale in Ravenna, showing the Emperor Justinian and Bishop Maximian, surrounded by clerics and soldiers. Archangel ivory of the early 6th century from Constantinople. Significant changes in Byzantine art coincided with the reign of Justinian I (527–565). Justinian devoted much of his reign to reconquering Italy, North Africa ...
The Good Shepherd mosaic in the Mausoleum of Galla Placidia, Ravenna Mosaic of Justinian I in Basilica of San Vitale, Ravenna. In the 5th-century Ravenna, the capital of the Western Roman Empire, became the center of late Roman mosaic art.
The inscription reads Dominus Noster Iustiniianus Perpetuus Augustus [18] (Our Lord Justinian, Perpetual Augustus). The reverse shows Justinian, again with a nimbus, riding a richly-dressed horse whose harness recalls that of the horse on the Barberini ivory. In front of him is a Victory holding a palm and a trophy under her left arm.
Emperor Constantine the Great presents a representation of the city of Constantinople as tribute to an enthroned Mary and baby Jesus in this church mosaic from the Hagia Sophia, c. 1000 edit Greek fire , first used by the Byzantine navy during the Byzantine–Arab Wars (miniature from the Madrid Skylitzes manuscript, Biblioteca Nacional de ...
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