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A new 6 Waveshape LFO significantly expands the sonic capabilities of this Classic Analog Delay. The MF-104M incorporates Spillover Mode, the most popular modification to the Classic MF-104. A Tap Tempo switch lets users quickly tap in delay times or LFO rates, and MIDI capability allows control over every function.
An Ibanez DE-7 delay pedal Sound example of a plugin simulation of an analog delay (EHX Memory Man) with modulation and pitch shift. Digital delay systems function by sampling the input signal using an analog-to-digital converter. The resulting digital audio is passed through a memory buffer and recalled from the buffer a short time later.
The Marshall Time Modulator is an analog delay line-based musical effects device created by Stephen St. Croix that could be used to produce a wide variety of flanging and chorus effects. [1] [2] The device was heavily used by the record producer Martin Hannett, who Paul Humphreys has said "used it on everything". [3]
Analog delay lines are applied in many types of signal processing circuits; for example the PAL television standard uses an analog delay line to store an entire video scanline. Acoustic and electromechanical delay lines are used to provide a " reverberation " effect in musical instrument amplifiers, or to simulate an echo.
A bucket brigade or bucket-brigade device (BBD) is a discrete-time analogue delay line, [1] developed in 1969 by F. Sangster and K. Teer of the Philips Research Labs in the Netherlands. It consists of a series of capacitance sections C 0 to C n. The stored analogue signal is moved along the line of capacitors, one step at each clock cycle.
There is also a digital-to-time converter or delay generator. The delay generator converts a number to a time delay. When the delay generator gets a start pulse at its input, then it outputs a stop pulse after the specified delay. The architectures for TDC and delay generators are similar. Both use counters for long, stable, delays.
The Volca Keys features a delay circuit, which some have likened to that of Korg's Monotron Delay. [5] It is low-fidelity, with low sample rates for the audio processing. [ 6 ] The delay has control over time and feedback; the former can be synced to the sequencer tempo.
2.8 GHz superconducting bridged T delay equaliser in YBCO on lanthanum aluminate substrate. Losses in the circuit cause the maximum delay to be reduced, a problem that can be ameliorated with the use of high-temperature superconductors. Such a circuit has been realised as a lumped-element planar implementation in thin-film using microstrip ...
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