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A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. [4][5]: 145 Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective (rectilinear images), fisheye lenses use ...
A Luneburg lens (original German Lüneburg lens) is a spherically symmetric gradient-index lens. A typical Luneburg lens's refractive index n decreases radially from the center to the outer surface. They can be made for use with electromagnetic radiation from visible light to radio waves. For certain index profiles, the lens will form perfect ...
The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal.
Peleng 3.5/8A is an 8 mm super-wideangle circular fisheye photographic lens, and is designed as an interchangeable lens for Canon, Nikon, Pentax, Olympus digital or film cameras which have or do not have the instant-return diaphragm automatic control device [clarification needed]. The lens has a variable diaphragm from f/3.5 to f/16.
The UW Rokkor 18mm f/9.5 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1966 as the system's first fisheye lens.It is a full-frame fisheye lens with a 180° viewing angle across the diagonal, and was replaced when the Minolta Fish-Eye Rokkor 16mm f/2.8 lens was released in 1969.
Canon EF 8-15mm lens. The EF8–15mm f/4L FISHEYE USM is a fisheye zoom lens for Canon digital single-lens reflex cameras (DSLRs) with an EF lens mount. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models.
Fisheye lenses are wide-angle lenses with heavy barrel distortion and thus exhibit both these phenomena, so objects in the center of the image (if shot from a short distance) are particularly enlarged: even if the barrel distortion is corrected, the resulting image is still from a wide-angle lens, and will still have a wide-angle perspective.
Tilt-lens photo of a model train. Note how the focus plane is along the train, and how the blurring of the background proceeds from left to right. Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras.