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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Solid casting does not use a clay core but instead a solid piece of wax to create the mould; hollow casting is the more traditional method and uses the clay core. [1] The first task in the lost wax hollow casting process consists of developing a clay core which is roughly the shape of the final cast image.
Much of the wax used in investment casting can be reclaimed and reused. [2] Lost-foam casting is a modern form of investment casting that eliminates certain steps in the process. Investment casting is so named because the process invests (surrounds) the pattern with refractory material to make a mould, and a molten substance is cast into the ...
Passing from the core through the wax and projecting beyond are metal rods. The modelling being completed, called lost-wax casting, the outer covering which will form the mould has to be applied; this is a liquid formed of clay and plaster sufficiently thin to find its way into every detail of the wax model. Further coatings of liquid are ...
Muisca, 10th–16th C., cast gold alloy. Metropolitan Museum of Art. This object illustrates the fine detail of the casting and the unpolished surface of the gold. To create their gold pieces, the Muisca used a method called lost-wax casting. [1] The manufacturing process itself was likely part of the ritual associated with these tunjos. [39]
The lost wax process originated in ancient Mesopotamia. The earliest known record of lost-wax casting is a clay tablet written in cuneiform in the ancient city of Sparta, Babylon, which specifically records how much wax is needed to cast a key. [6] The earliest-known castings in the global archaeological record were made in open stone molds. [7]
She observed that the statue had been cast in a single piece, using a variation of the lost-wax casting technique. This technique was not used in Classical antiquity ; ancient Greek and Roman bronzes were typically constructed from multiple pieces, a method that facilitated high-quality castings, with less risk than would be involved in casting ...
Although lost-wax casting was never used to make large vessels, it became more and more popular between the late Eastern Zhou and Han dynasties. The lost-wax casting process for casting small parts was more economical than the mould-making process because the amount of metal used was easier to control.