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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Much of the wax used in investment casting can be reclaimed and reused. [2] Lost-foam casting is a modern form of investment casting that eliminates certain steps in the process. Investment casting is so named because the process invests (surrounds) the pattern with refractory material to make a mould, and a molten substance is cast into the ...
Solid casting does not use a clay core but instead a solid piece of wax to create the mould; hollow casting is the more traditional method and uses the clay core. [1] The first task in the lost wax hollow casting process consists of developing a clay core which is roughly the shape of the final cast image.
The lost-wax casting technique Robinson developed is a modified version of the bronze casting technique. It involves creating a plaster mould which is filled with molten wax. The mould is then removed (and can be reused) and the wax is encased in a heat-resistant covering and placed in the kiln.
To create their gold pieces, the Muisca used a method called lost-wax casting. [1] The manufacturing process itself was likely part of the ritual associated with these tunjos. [39] The process began when the Muisca craftsperson created a wax model in the desired shape of the object, using beeswax harvested from the region. [40]
The lost wax process originated in ancient Mesopotamia. The earliest known record of lost-wax casting is a clay tablet written in cuneiform in the ancient city of Sparta, Babylon, which specifically records how much wax is needed to cast a key. [6] The earliest-known castings in the global archaeological record were made in open stone molds. [7]
Casting process simulation is a computational technique used in industry and metallurgy to model and analyze the metal-casting process. This technology allows engineers to predict and visualize the flow of molten metal, crystallization patterns, and potential defects in the casting before the start of the actual production process .
Dancing Girl is a prehistoric bronze sculpture made in lost-wax casting about c. 2300 –1751 BC in the Indus Valley civilisation city of Mohenjo-daro (in modern-day Pakistan), [1] which was one of the earliest cities. The statue is 10.5 centimetres (4.1 in) tall, and depicts a nude young woman or girl with stylized ornaments, standing in a ...