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Rookwood also produced pottery in the Japonism trend, after Storer invited Japanese artist Kitaro Shirayamadani to come to Cincinnati in 1887 to work for the company. [7] Davis Collamore & Co., a high-end New York City importer of porcelain and glass, were Rookwood's representatives at the Exposition Universelle, Paris 1889. [8]
Glidden Pottery produced unique stoneware, dinnerware and artware in Alfred, New York from 1940 to 1957. The company was established by Glidden Parker, who had studied ceramics at the New York State College of Ceramics at Alfred University. [1] Glidden Pottery's mid-century designs combined molded stoneware forms with hand-painted decoration.
Notable in this group are John Bennett, who worked in New York and New Jersey, and Adelaïde Alsop Robineau, whose Scarab Vase is considered one of the finest examples of American art pottery. [3] Also operating "independently" was the vast factory of Edwin Bennett in Baltimore which periodically produced fine examples of art pottery, although ...
Hadley Pottery was exhibited by the American Craftsmen's Educational Council in 1947, and at the Ceramic National Exhibit at the Syracuse Museum of Fine Arts. [14] In 1952, Mary Alice Hadley received an award from the Museum of Modern Art's Good Design program [15] and her winning design, "Brown Dot" (or "Hot Brown Fleck"), was exhibited in New York and Chicago.
Maiolica charger from Faenza, after which faience is named, c. 1555; diameter 43 cm, tin-glazed earthenware Tin-glazed (majolica/maiolica) plate from Faenza, Italy. Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide [1] which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration.
Dedham Pottery was an American art pottery company opened by the Robertson Family in Dedham, Massachusetts during the American arts & crafts movement that operated between 1896 and 1943. It was known for its high-fire stoneware characterized by a controlled and very fine crackle glaze with thick cobalt border designs.
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Craquelure affecting the glaze in ceramics may develop with age but has also been used as a deliberate decorative effect, which has a long history in Korean and Chinese pottery in particular. [9] These deliberate glazing effects are usually known as "crackle", with crackle[d] glaze or "crackle porcelain" being common terms.
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