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Three kinds: a barrel drum, an hourglass drum and a goblet drum. Not pitched but tone can be changed with wax on drumhead Timbal: Brazil Unpitched 211.251.1 Membranophone Timbales: Cuba Unpitched 211.212.2 Membranophone Timpani: Pitched 211.11-922 Membranophone Also called kettle drums Tingsha: Tibet Unpitched 111.142 Idiophone Tom-tom drum ...
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
' sound of wood ') is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. [1] Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound ...
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Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments) [ edit ] Main article: List of idiophones by Hornbostel–Sachs number
211.1 Instruments in which the body of the drum is dish- or bowl-shaped, such as the kettle drum. 211.11 Single instruments; 211.12 Sets of instruments, such as orchestral timpani; 211.2 Tubular Drums – Instruments in which the body is tubular 211.21 Cylindrical Drums – Instruments in which the body has the same diameter at the middle and end
The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may have a "military" type theme or sound to them.
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