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The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices.
A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition. Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
Polyester resin and epoxies are toxic and noxious. The wax-resin is fast and easy to use, making it a possible new alternative to fill materials in the conservation field. The wax-resin works best on losses that allow for large contact with the original, primed surface and on losses that are thicker than 1/16in.
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
The word encaustic originates from Ancient Greek: ἐγκαυστικός, which means "burning in", from ἐν en, "in" and καίειν kaiein, "to burn", [3] and this element of heat is necessary for a painting to be called encaustic. Encaustice or Encaustike (ἐγκαυστική) was the art of painting by burning in the colours. [4]
Most coatings have four basic components. These are the resin, solvent, pigment and additive systems [5] but the resin or binder is the key ingredient. Continuing environmental legislation in many countries along with geopolitics such as oil production are ensuring that chemists are increasingly turning to waterborne technology for paint/coatings and since resins or binders are the most ...
The result is a highly durable connection between paint coat and substrate. The water glass binding agent is highly resistant to UV light. While dispersions based on acrylate or silicone resin over the years tend to grow brittle, chalky, and crack under UV, the inorganic binder water glass remains stable.
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