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"Cinderella", [a] or "The Little Glass Slipper", is a folk tale with thousands of variants that are told throughout the world. [2] [3] The protagonist is a young girl living in forsaken circumstances who is suddenly blessed by remarkable fortune, with her ascension to the throne via marriage.
Rushen Coatie or Rashin-Coatie is a Scottish fairy tale collected by Joseph Jacobs in his More English Fairy Tales. It is Aarne–Thompson type 510A, the persecuted heroine, as is Cinderella . Synopsis
The novel Bound by Donna Jo Napoli is a retelling of the fairy tale. Yeh-Shen: A Cinderella Story From China, retold by Ai-Ling Louie and illustrated by Ed Young, is well-known children's picture book adaptation of the fairy tale. This retelling was later adapted into an episode of animated anthology series, CBS Storybreak.
The story was first recorded by the Greek historian Strabo in the late first century BC or early first century AD and is considered the earliest known variant of the "Cinderella" story. [1] The origins of the fairy-tale figure may be traced back to the 6th-century BC hetaera Rhodopis. [2]
Cinderella, or the Little Glass Slipper is a book adapted and illustrated by Marcia Brown.Released by Charles Scribner's Sons, the book is a retelling of the story of Cinderella as written by Charles Perrault, and was the recipient of the Caldecott Medal for illustration in 1955.
The twisted fairy tale about a stripper’s whirlwind romance with a Russian billionaire is Baker’s own Cinderella story, in a way. ...
Charles Perrault was born in Paris on 12 January 1628, [3] [4] to a wealthy bourgeois family and was the seventh child of Pierre Perrault (father) and Paquette Le Clerc. He attended very good schools and studied law before embarking on a career in government service, following in the footsteps of his father and elder brother Jean.
Ruth B. Bottigheimer catalogued this and other disparities between the 1810 and 1812 versions of the Grimms' fairy tale collections in her book, Grimms' Bad Girls And Bold Boys: The Moral And Social Vision of the Tales. Of the "Rumplestiltskin" switch, she wrote, "although the motifs remain the same, motivations reverse, and the tale no longer ...