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The Visual Bible, also Visual Bible Project is the name used by two distinct projects to film, verbatim, books of the New Testament. The first Visual Bible project produced The Visual Bible: Matthew (1993) and The Visual Bible: Acts (1994) starring Italian - American actor Bruce Marchiano as Jesus .
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
The Visual Bible: Matthew (also known as The Gospel According to Matthew) is a 1993 film portraying the life of Jesus as it is found in the Gospel of Matthew. The complete Gospel is presented word-for-word based on the New International Version of the Bible .
101 Christmas Bible Verses. 1. “But when the set time had fully come, God sent his son, born of a woman, born under the law, to redeem those under the law, that we might receive adoption to ...
The Nativity or birth of Jesus Christ is found in the biblical gospels of Matthew and Luke.The two accounts agree that Jesus was born in Bethlehem, in Roman-controlled Judea, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention.
The Visual Bible: Acts is a 1994 American Christian film directed by Regardt van den Bergh and starring Henry O. Arnold, James Brolin, Dean Jones, and Bruce Marchiano. It depicts the events of the Acts of the Apostles from the New Testament. All of the dialogue is word-for-word scripture, taken directly from the New International Version of the ...
Throughout stories are retold using passages from the Bible, with chapter and verse cited, the wording being a free adaptation that Spurling says is based on a number of public domain Bible translations. [4] Occasionally, mostly when images are being used to contrast with the underlying scripture, Spurling dramatizes the images with additional ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.