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Chinese paper folding, or zhezhi , is the art of paper folding that originated in medieval China. The work of 20th-century Japanese paper artist Akira Yoshizawa widely popularized the Japanese word origami ; however, in China and other Chinese-speaking areas, the art is referred to by the Chinese name, zhezhi .
The Fonthill Vase, also called the Gaignières-Fonthill Vase after François Roger de Gaignières and William Beckford's Fonthill Abbey, is a bluish-white Qingbai Chinese porcelain vase dated to 1300–1340 AD. [1] It is famous as the earliest documented Chinese porcelain object to have reached Europe. [1] [2]
A selection of falangcai porcelains Bowl with peacock in falangcai painted enamels, Yongzheng reign. National Palace Museum. The origin of famille rose is not entirely clear. It is believed that this colour palette was introduced to the Imperial court in China by Jesuits, achieved through the use of purple of Cassius, initially on enamels used on metal wares such as cloisonné produced in the ...
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
A meiping (Chinese: 梅瓶; pinyin: méipíng; lit. 'plum vase') is a type of vase in Chinese ceramics. [1] It is traditionally used to display branches of plum blossoms. [1] [2] The meiping was first made of stoneware during the Tang dynasty (618–907). [3]
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
A particularly refined form of Yue ware is the Mi-se Yue ware (Chinese: 秘色越器, or Chinese: 秘色青瓷, "Secret color Yue ware") found in the Famen Temple and dated to the 9th century. This ware was undecorated but characterized by a smooth and thin glaze of a light color, either yellowish green or bluish green.
A zun with taotie dating to the Shang dynasty A rare Xi zun in the shape of an ox Western Zhou goose-shaped bronze zun. National Museum of China. The zun or yi, used until the Northern Song (960–1126) is a type of Chinese ritual bronze or ceramic wine vessel with a round or square vase-like form, sometimes in the shape of an animal, [1] first appearing in the Shang dynasty.
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