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Birth of Mary in Art, All About Mary The University of Dayton's Marian Library/International Marian Research Institute (IMRI) is the world's largest repository of books, artwork and artifacts devoted to Mary, the mother of Christ, and a pontifical center of research and scholarship with a vast presence in cyberspace.
In Byzantium, Mary's usual title was the Theotokos or Mother of God, rather than the Virgin Mary and it was believed that salvation was delivered to the faithful at the moment of God's incarnation. That theological concept takes pictorial form in the image of Mary holding her infant son.
In the early 16th century, Protestant reformers began to discourage Marian art, and some, like John Calvin and Zwingli, even encouraged its destruction.But after the Council of Trent in the mid-16th century confirmed the veneration of Marian paintings by Catholics, Mary was often painted as a Madonna with crown, surrounded by stars, standing on top of the world or the partly visible Moon.
16th-century Russian version showing copy of the Theotokos of Vladimir. Though not included in the canonic pictorial of Mary's life, the scene became increasingly popular as Saint Luke gained his own devotional following as the patron saint of artists in general, and more specifically as patron saint of the Guild of Saint Luke, the most common name of local painters' guilds.
Icon of the Mother of God "Mirozh" Icon of the Mother of God "Quick to Hear" Icon of the Mother of God of Abalaka; Icon of the Mother of God of Tsarskoe Selo; Icon of the Mother of God "Seraphim-Ponetaevka" Byzantium: faith and power (1261-1557), an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which ...
Maria Advocata (Madonna del Rosario), c. 6th century Georgian Agiosoritissa icon (c. 1100) Freising Agiasoritissa, 12th century The Panagia Agiosoritissa or Hagiosoritissa (Greek: Ἁγιοσορίτισσα) is the name for a type of Marian icon, showing Mary without child, slightly from the side with both hands raised in prayer.
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