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Using a handheld gouger to cut a design into linoleum for a linocut print Linocut printing; using a design cut into linoleum to make a print on paper. Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of ...
Janet Ann Doub Erickson (June 29, 1924 – September 3, 2021) was an American graphic artist and writer who popularized linoleum-block and woodblock printing in the post-World War II period. She was a co-founder of the Blockhouse of Boston, an innovative art and design cooperative in Boston, Massachusetts.
Her block printing thesis grew out of the home industries/arts and crafts movements of the past. Apart from design theory, her classes focused on the practicality of hand-producing decorations for the home. The idea of fine art for home use was one of the main factors driving and maintaining the popularity of the movement within the neighborhood.
In 1926, she transferred to Western Michigan University where, in an art class, she carved her first linoleum block artwork. [3] Frostic left Western Michigan University (WMU), just short of completing her degree, in 1927. [3] WMU’s School of Art is named for Frostic, who donated millions to the university. [6] greeting cards by artist Gwen ...
The co-op specialized in linoleum blockprints — also known as linocuts — and screen printing. Blockhouse was known for original use of New England themes and motifs intermingled with bold ethnic designs [ 2 ] at times inspired by pre-Columbian art and sometimes with modernist motifs. [ 3 ]
Her work is in the collection of numerous museums and art institutions. [3] In June 1926 Frances lectured and staged a solo show of her linoleum block prints at the UCLA Art Gallery. The following month for the Paris exhibition of graphic arts in the Bibliothèque nationale de France she sent her color print Twilight. During her lifetime ...
She continued painting landscape, but turned to the colour linoleum print, around 1928. She served as the Art Director at Bishop Strachan School (BSS) from 1901 to 1936. While holding this position, she designed the school's chapel interior, including a large stained-glass window. [10] Throughout her career in education and art, Wrinch was a ...
Varez has published more than 225 wood- and linoleum-block prints. [5] The subject matter in most of Varez's work is inspired by traditional Hawaiian legends, integrating mythological figures in scenes with flora and fauna typical of the diverse Hawaiian environment.
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