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Traditionally there are two types of Romani music: one rendered for non-Romani audiences, the other is made within the Romani community. The music performed for outsiders is called "gypsy music", which is a colloquial name that comes from Ferenc Liszt. They call the music they play among themselves "folk music". [19]
Music played in this style differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community. It consists mainly of instrumentals and usually performed by strings, except in the Romanian variant where the pan flute is the main instrument.
Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
Gypsy music may refer to: Gypsy music, also known as Gypsy style, Romani-related music played in a characteristic gypsy style and Romani music, the original music of the Romani people; Gypsy jazz, jazz played by Romani people; Gypsy punk, a hybrid of Romani music and punk rock; Gypsy scale, a musical scale sometimes found in Romani music
The modern Hungarian concert cimbalom was designed and created by V. Josef Schunda in 1874 in Budapest based on his modifications to existing folk dulcimers. [1] He demonstrated an early prototype with some improvements at the 1873 Vienna World's Fair, gaining praise from audiences and drawing the attention of highly-placed Hungarian politicians such as József Zichy, Gyula Andrássy, and King ...
Budapest, the capital and music centre of Hungary, [15] is one of the best places to go in Hungary to hear "really good folk music", says world music author Simon Broughton. The city is home to an annual folk festival called Táncháztalálkozó ("Meeting of the Táncházak", literally "dance houses"), which is a major part of the modern music ...
Schnuckenack's music differed from Django's, being a combination of both swing and Hungarian or eastern European styles with Romani vocals and high energy accompaniment, together with many traditional gypsy melodies and waltzes, but his various Quintetts played an important role in keeping Django's music alive especially through the 1960s when ...
Creation tales for musical instrument do exist in other cultures or regions, for example, the Hungarian fairy tale, "The Violin", and the story of the Mongolian morin khuur. Both differ significantly from the Transylvanian tale. In Greek mythology, the creation of the pan flute by Pan and Syrinx is a well-known example. [8]
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