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Congratulations!, Op. 111) is a 1975 opera by Mieczysław Weinberg to his own Russian libretto after the Yiddish play Mazel Tov by Sholem Aleichem. [1] [2] [3] The plot follows closely the text of Aleichem's play, but emphasising the class conflict to placate the Soviet censor, for whom otherwise a Jewish topic may have proved problematic. [4]
The Yiddish and Ashkenazic pronunciation of mazel has the stress on the first syllable while the Modern Hebrew word mazal has the stress on the last syllable. Mazel-tov is also used as a personal name. The phrase "mazel tov" is recorded as entering into American English from Yiddish in 1862, [2] pronounced / ˈ m ɑː z əl t ɒ v,-t ɒ f / MAH ...
Sheet music published in California between 1852 and 1900, along with related materials such as a San Francisco publisher's catalog of 1872, programs, songsheets, advertisements, and photographs. Images of every printed page of sheet music from eleven locations have been scanned at 400 dpi, in color where indicated. University of California ...
Mazel-tov (Yiddish: מזל טוב, Yiddish: mazel tov; Russian title either «Мазлтов» or «Поздравляем», 1889), is a one-act Yiddish-language play by Sholem Aleichem. [1] The play focuses on the relationship between servants, the cook Beyle, and the upstairs rich, the Landlord.
J. & J. Kammen Music Company, commonly known as the Kammen Brothers, was a sheet music publishing company operated in Brooklyn, New York by Jack and Joseph Kammen from the 1920s to the 1970s. [1] The company published Jewish music (including Klezmer and Yiddish theatre music) as well as non-Jewish music.
Mazal tov / Mazel tov: מַזָּל טוֹב good luck/congratulations [maˈzal tov] [ˈmazəl tɔv] Hebrew/Yiddish Used to mean congratulations. Used in Hebrew (mazal tov) or Yiddish. Used on to indicate good luck has occurred, ex. birthday, bar mitzvah, a new job, or an engagement. [1]
"Bei Mir Bistu Shein" (Yiddish: בײַ מיר ביסטו שעהן [a] [baɪ ˈmɪr ˈbɪstʊ ˈʃɛɪn], "To Me You're Beautiful") is a popular Yiddish song written by lyricist Jacob Jacobs and composer Sholom Secunda for a 1932 Yiddish language comedy musical, I Would If I Could (in Yiddish Men Ken Lebn Nor Men Lost Nisht, "You could live, but ...
In America, aside from America's own Yiddish theatres, songwriters and composers employed Yiddish folk and theatre songs, along with synagogue modes and melodies, as material for the music of Tin Pan Alley, Broadway and Hollywood. [4] [5] Irving Berlin was one of the popular composers to move from Yiddish song to English songs. [6]