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The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. [1] The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. [2]
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900) Clarinet Sonata No. 2 (1900) Clarinet Sonata No. 3 (1909) Donald Francis Tovey: Clarinet Sonata in B-flat major, Op. 16 (1906) [6 ...
Violin sonatas by Johannes Brahms (5 P) Pages in category "Sonatas by Johannes Brahms" ... (Brahms) Cello Sonata No. 2 (Brahms) Clarinet Sonatas (Brahms) ...
D. 366 No. 17 for piano solo is the same Ländler as D. 814 No. 1 for piano duet; #17 in Brahms' set is a piano solo arr. of D. 814 No. 1, though markedly different from Schubert's piano solo version D. 366 No. 17; published 1869 A. deest: Christoph Willibald Gluck: Paride ed Elena: Gavotte in A major (arr. by JB) piano 4-hands [4] published 1901
Bernhard Henrik Crusell: Works for Clarinet (Musica Sveciae) 1993 [2] Festival (Stereophile) 1995 [3] Schönberg/Martinu/Messiaen (Caprice) 1996 [4] Mendelssohn Concert Pieces, Brahms Sonata in E flat and Crusell Duet no. 1, 2 and 3 for two clarinets (Nytorp Musik) 1997; Grand Duo: Selections of German Music for Clarinet and Piano (Nytorp Musik ...
The Piano Sonata No. 3 in F minor, Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large, consisting of five movements, as opposed to the traditional three or four. When he wrote this piano sonata, the genre was seen by many to be past its heyday.
The first movement is in conventional sonata form with a repeated exposition. The opening of the first theme resembles the opening of Beethoven's "Hammerklavier" Sonata. [1] [2] The second movement is a theme and variations inspired by the song Verstohlen geht der Mond auf. Brahms was to rewrite it for female chorus in 1859 (WoO 38/20).
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