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A laurel wreath is a symbol of triumph, a wreath made of connected branches and leaves of the bay laurel (Laurus nobilis), an aromatic broadleaf evergreen. It was also later made from spineless butcher's broom (Ruscus hypoglossum) or cherry laurel (Prunus laurocerasus). It is worn as a chaplet around the head, or as a garland around the neck.
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl. The Crown of Immortality is a literary and religious metaphor traditionally represented in art first as a laurel wreath and later as a symbolic circle of stars (often a crown, tiara, halo or aureola).
Wreaths of leaves from laurel, olive, oak, myrtle, and celery were particularly symbolically significant, with the laurel wreath the victor's crown at the Pythian Games and at a Roman triumph, and the olive wreath the prize at the Olympic Games.
On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal toga picta ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter .
Crown of King of Persis Ardakhshir II, 1st century BC. Crowns have been discovered in pre-historic times from Haryana, India. [4] The precursor to the crown was the browband called the diadem, which had been worn by the Achaemenid Persian emperors. It was adopted by Constantine I and was worn by all subsequent rulers of the later Roman Empire ...
A depiction of Torquato Tasso from a German encyclopedia, 1905. Note the laurel crown.. A poet laureate (plural: poets laureate) [1] [2] [3] is a poet officially appointed by a government or conferring institution, typically expected to compose poems for special events and occasions.
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Roman, Apollo and Daphne, c. 62–79 A.D., fresco from South wall of Casa dell’Efebo, Pompeii showing Apollo holding a sprig of laurel, while Daphne is perhaps dancing. It likely reflects a pre-Ovidian source. [1] Apollo and Daphne is an Ancient Greek transformation or metamorphosis myth.