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Shock Wave 2 is a 2020 Hong Kong-Chinese action film written and directed by Herman Yau, produced by and starring Andy Lau.The film is a standalone sequel to the 2017 film Shock Wave, featuring a new storyline and characters.
This template must be placed in the Licensing section of non-free posters to identify them as such. Note: Posters with US copyrights before 1964 are mostly in the public domain due to failure to formally renew the copyright on the poster. In this case the template {{PD-art|PD-US-not renewed}} should be used instead of this template.
Template:Non-free film poster is used to tag non-free film posters. This template must be placed in the Licensing section of non-free film posters to identify them as such. Note: Posters with US copyrights before 1964 are mostly in the public domain due to failure to formally renew the copyright on the poster. In this case the template {{PD-art ...
Shock Wave is a 2017 Hong Kong action film written and directed by Herman Yau, produced by and starring Andy Lau. [1] Released on 20 April 2017 in Hong Kong and 28 April 2017 in all China, the film is Yau and Lau's third collaboration as director and star respectively after 1991's Don't Fool Me and 1999's Fascination Amour.
Original file (SVG file, nominally 512 × 499 pixels, file size: 2 KB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
For purposes of discussion we shall assume the two primary patterns are each printed in greyscale ink on a white sheet, where the opacity (e.g., shade of grey) of the "printed" part is given by a value between 0 (white) and 1 (black) inclusive, with 1 / 2 representing neutral grey. Any value less than 0 or greater than 1 using this grey ...
In the traditional photochemical post-production workflow, release prints are usually copies, made using a high-speed continuous contact optical printer, [5] of an internegative (sometimes referred to as a 'dupe negative'), which in turn is a copy of an interpositive (these were sometimes referred to as 'lavender prints' in the past, due to the slightly colored base of the otherwise black-and ...
(Process ECP-2E removes soundtrack redeveloper and the "first fixer"; it is suitable for cyan-dye soundtrack prints) 2393 Vision Premier Color Print 1998 2015 [27] ESTAR-base; processes ECP-2D and ECP-2E. Higher density blacks than 2383. 2395 Vision Color Teleprint c.1999 2010 Low-contrast prints [30] 2302 Black-and-white Print c.1999 no