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Kodak Portra is a family of daylight-balanced professional color negative films originally introduced in 1998 made mainly for portrait and wedding applications. [1] They are successors of the professional Vericolor films (VPS and VPL), which succeeded Ektacolor films earlier.
Fujicolor Superia is a Fujifilm brand of daylight balanced colour negative film introduced ca.1998 primarily aimed at the consumer market, but was also sold in a professional 'press' variant. A key feature at launch was the '4th' cyan colour layer designed to provide improved colour reproduction under fluorescent lighting.
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
The film format is similar to the super 8 mm format, but without the Polavision tabletop viewer the only way a Polavision film can be shown is by destroying the cartridge and projecting the removed film with an ordinary super 8 mm projector or transferring it to video with a telecine system.
Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. [2] It was one of the first successful color materials and was used for both cinematography and still photography. For many years, Kodachrome was widely used for professional color photography, especially for images intended for publication in print media.
Kodacolor II – 35mm-film for colour prints. In still photography, Kodak's Kodacolor brand has been associated with various color negative films (i.e., films that produce negatives for making color prints on paper) since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". [1]
It incorporated an original print of a film with sections cut by pantograph in the appropriate areas for up to six colors [3] by a coloring machine with dye-soaked, velvet rollers. [5] After a stencil had been made for the whole film, it was placed into contact with the print to be colored and run at high speed (60 feet per minute) through the ...
The first DX encoded film to be released was the color print film Kodacolor VR 1000 in March 1983. The first point-and-shoot cameras to use DX encoding to automatically set film speed were released in 1984, including the Pentax Super Sport 35 / PC 35AF-M [ 5 ] and Minolta AF-E / Freedom II. [ 6 ]