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"Anyway, Anyhow, Anywhere" has a significant similarity to "Out in the Street", which appears on their debut album My Generation.Both songs feature a three-chord strum before "blasting into an uptempo rhythm"; [6] Despite this, "Out in the Street" is a marginally older song, and both tracks originate from the same recording sessions between 13 and 14 April 1965. [7]
American Hi-Fi initially formed under the name BMX Girl, [5] and Jones changed to a name personally suggested to him by Keith Richards of The Rolling Stones. [1] American Hi-Fi's released self-titled debut album through Island Records on February 27, 2001 which was produced by Bob Rock. It was an AllMusic 'Album Pick'. Critic Mario Mesquita ...
Musically, the sound of American Hi-Fi has been described as pop punk, [8] and power pop, [9] drawing comparisons to Blink-182, Foo Fighters, and Weezer. [3] All of the songs on the album were written by Jones, influenced by the disbandment of Veruca Salt. Stacy's work as a drummer in Veruca Salt was displayed in the rhythm-focused songs on ...
It should only contain pages that are American Hi-Fi songs or lists of American Hi-Fi songs, as well as subcategories containing those things (themselves set categories). Topics about American Hi-Fi songs in general should be placed in relevant topic categories .
Stacy Glen Jones (born December 19, 1970) [1] is an American musician, songwriter, and producer. He is currently the musical director and drummer for Miley Cyrus and Life of Dillon, and is also known for being the lead vocalist, rhythm guitarist, and primary songwriter of American Hi-Fi, and as the drummer for Letters to Cleo.
Hearts on Parade is the third studio album by American rock band American Hi-Fi.It was released on April 12, 2005, through Maverick Records.The album peaked at #129 on the US Billboard 200.
Fight the Frequency is the fourth studio album by American rock band American Hi-Fi, released on August 17, 2010. [3] Work on the album began in May 2007, when the band first entered the studio to record a follow-up to Hearts on Parade.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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