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"I Wonder" is a 1944 song written and originally performed by Pvt. Cecil Gant. The original version was released on the Bronze label, before Gant re-recorded it for the Gilt-Edge label in Los Angeles. The record made it to number one on the Juke Box Race Records chart and was Pvt. Gant's most successful release. [1]
Cecil Gant (April 4, 1913 [nb 1] – February 4, 1951) [1] was an American blues singer, songwriter and pianist, whose recordings of both ballads and "fiery piano rockers" [2] were successful in the mid- and late 1940s, and influenced the early development of rock and roll.
"I Wonder" (1944 song), a song by Pvt. Cecil Gant; covered by Roosevelt Sykes (1945) and several others "I Wonder" (Kanye West song), 2007
I Love You (Cole Porter song) I Promise You (Bing Crosby song) I Should Care; I Will Be Home Again; I Wonder (1944 song) I'll Walk Alone; I'm Beginning to See the Light; I'm Headin' for California; I'm Lost; I'm Making Believe; I'm Wastin' My Tears on You; I've Got a Lovely Bunch of Coconuts; Inolvidable (song) Into Each Life Some Rain Must Fall
The song "Tiddlywink" written, but not sung by Keith Murphy is featured on this album. 2012 (US) CD "The Class of 1962", Keith O'Conner Murphy, "Tiddlywink performed by Black Raven, King Label #45-6171; 2017 (US) CD "The Class of 1962" Reissued, Keith O'Conner Murphy, "Tiddlywink" performed by Keith O'Conner Murphy, Roundtuit Label No. 3
Stevie Wonder recorded this song in 1967, but it remained unreleased for a decade, so no less a performer than the Queen of Soul, Aretha Franklin, was the first to release it, doing so in 1973.
The baritone ukulele usually uses linear G 6 tuning: D 3 –G 3 –B 3 –E 4, the same as the highest four strings of a standard 6-string guitar. Bass ukuleles are tuned similarly to the bass guitar and double bass : E 1 –A 1 –D 2 –G 2 for U-Bass style instruments (sometimes called contrabass), or an octave higher, E 2 –A 2 –D 3 –G ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...