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Just four songs – five, if one counts "El Paso" by Marty Robbins, which spent five of its seven weeks at No. 1 in 1960 – ascend to the No. 1 spot on Billboard's Hot C&W Sides chart. Those songs – listed below – would spend 14, 14, 12 and 10 weeks at No. 1, compared to 10 No. 1 songs in 1959 and eight for all of 1961.
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1960, five different songs topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western.
Theme from A Summer Place" by Percy Faith was the number one song of 1960. Bobby Rydell had four songs on the Year-End Hot 100. Brenda Lee had four songs on the Year-End Hot 100. Connie Francis had four songs on the Year-End Hot 100. The Everly Brothers had four songs on the Year-End Hot 100. This is a list of Billboard magazine's Top Hot 100 ...
2000 in country music, Toby Keith's breakthrough; Vince Gill and Amy Grant marry; Kenny Rogers becomes the oldest singer to have a No. 1 song; Garth Brooks announces plans for retirement; Rascal Flatts' debut album released; RFD-TV, a cable/satellite TV network focusing on farming and rural living but also features reruns of classic country ...
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Artist Title Year Country Chart entries 1: Elvis Presley: It's Now Or Never: 1960: US: UK 1 – Feb 2005, US BB 1 – Jul 1960, Canada 1 – Jul 1960, Norway 1 – Sep 1960, Australia 1 of 1960, Australia 1 for 7 weeks Feb 1960, South Africa 1 of 1960, US CashBox 2 of 1960, Germany 2 – Jan 1961, RYM 2 of 1960, US BB 9 of 1960, POP 9 of 1960, Italy 17 of 1960, DDD 19 of 1960, Germany 35 of ...
Billboard magazine has published charts ranking the top-performing country music songs in the United States since 1944. The first country chart was published under the title Most Played Juke Box Folk Records in the issue of the magazine dated January 8, 1944, and tracked the songs most played in the nation's jukeboxes. [1]
The Anita Kerr Quartet was the main vocal backing group in the early 1960s. The term "Nashville sound" was first mentioned in an article about Jim Reeves in 1958 in the Music Reporter and again in 1960 in a Time article about Reeves. [5] Other observers have identified several recordings that helped establish the early Nashville sound.
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