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The Rocks Sang a Melody) is a 1964 Hindi-language drama film, produced and directed by V. Shantaram on V. Shantaram Productions banner. Starring Jeetendra , Rajshree which were first marked debut to both of them and music is composed by Ramlal.
Fill our hearts full of love for Thee. Thou hast finished with fear and with doubt, Standing firm in the vision of God; Refuge to all who have cast Fame, fortune, and friends away. Without question Thou shelterest us, And the world's great sea in its wrath Seems shrunk to the puddle That fills the hoofprint in the clay. Speech cannot hold Thee ...
Chaitanya; Chakradhara; Dadu Dayal; Harivansh; Jayatirtha; Jiva Goswami; Jñāneśvara; Kabir; Madhavdev; Madhvacharya; Manavala Mamunigal; Namadeva; Nammalvar; Nathamuni
Hamsadhvani (meaning "the cry of the swan" [1]), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an audava rāgam (or owdava rāga, meaning pentatonic scale). [2]
The Pancharatna kritis were written in praise of the Hindu deity Rama.They are set to Adi Tala and each raga represents the mood of the song and the meaning of its lyrics. All the kritis were composed in the style of a Ragam Tanam Pallavi (RTP) with the charanams (stanzas) substituting for the kalpana swaras (improvisatory passages) in the pallavi section of the RTP.
Om Jai Jagdish Hare (Hindi: ॐ जय जगदीश हरे) is a Hindu religious song written by Shardha Ram Phillauri. [1] It is a Hindi-language composition dedicated to the deity Vishnu, popularly sung during the ritual of arti.
Rang Avadhoot was fluent in Gujarati, Hindi, Marathi, English and Sanskrit. [2] Under the pen name of Ganjeri, he started writing columns on contemporary issues in dailies. Between 1918 and 1925, he wrote and translated several works. He translated Ernest Howard Crosby's Tolstoy as a Schoolmaster as Tolstoy Ane Shikshan (1924) in Gujarati.
The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma, the goddess of satisfaction. This story has no Puranic basis, but Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity. [130]