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Chung Ha unveiled three teaser photos and two music video teasers for the song before its release. "Gotta Go" was released digitally and physically on January 2, 2019; the physical edition is a single album titled XII. [4] The song was also released as a separate digital single through several music portals, including iTunes. [5]
"Gotta Go" is an R&B song written by Trey Songz, Troy Taylor and Marvin Eugene Smith and performed by American R&B singer-songwriter Trey Songz released as the second single from his debut album I Gotta Make It. Released on July 23, 2005 in North America.
"Fast" is a song by American rapper Juice Wrld, released on March 8, 2019, as the fifth track from his second studio album Death Race for Love. A music video for the song was released on April 9, 2019. The song was certified Platinum by the Recording Industry Association of America (RIAA) on October 29, 2021.
"Gotta Go", a song by Lynyrd Skynyrd from the 1982 album Best of the Rest "Gotta Go (Can't Wage a War)", a song by Kingdom Come from the 1989 album In Your Face
The song, named after the American singer and actress Barbra Streisand, relies almost entirely on a sample replay of German disco group Boney M.'s 1979 international hit single "Gotta Go Home", [3] which in turn borrows content from the 1973 German song "Hallo Bimmelbahn" by the band Nighttrain (the brothers Heinz and Jürgen Huth and Michael Holm; the hookline was written only by Heinz Huth).
"Gotta Go" (Korean: 가라고; RR: Garago) is a song recorded by South Korean singer Sunmi for the soundtrack of the web series XX. It was released as a digital single on February 6, 2020 by Vlending Co., Ltd. and PlayList Global .
"Gotta Go Gotta Leave (Tired)" is a song co-written [2] and performed by American contemporary R&B singer Vivian Green, issued as the lead single from her second studio album Vivian. On July 30, 2005, it became her second song to reach #1 on the Billboard dance chart (following her debut single " Emotional Rollercoaster ").
You Gotta Go There to Come Back features a blues rock styled sound in the mold of early 1970s rock bands, [2] and also displays influences of garage rock and soul. [8] Kelly Jones described the album, with its "very 70s, Stevie Wonder, rock overdub feel", as the fulfillment of his desire to make an album like his favourite soul music: "I was really into soul music - it's not something I'm ...