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One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term vihuela became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba " family of fretted bowed string instruments ...
He received a Master of Music from the University of Washington in 1942, and a Doctor of Philosophy in 1953 from New York University with a dissertation entitled The 'Vihuela de mano' and its Music (1536-1576). His teachers were Otto Gombosi, Curt Sachs, Gustave Reese and George Herzog, and he took private composition lessons with Darius Milhaud.
Luis de Milán (also known as Lluís del Milà or Luys Milán) (c. 1500 – c. 1561) was a Spanish Renaissance composer, vihuelist, and writer on music.He was the first composer in history to publish music for the vihuela de mano, an instrument employed primarily in the Iberian peninsula and some of the Italian states during the 15th and 16th centuries, and he was also one of the first ...
mandolinos de concheros or mandolina conchera: with 4 double courses (8 strings), tuned as mandolin (g-d-a-e). [3] [4] vihuelas de concheros or vihuela conchera: with 5 double courses (10 strings). Tuned as vihuela, but in the 3rd, 4th and 5th courses, each string in a course tuned to an octave of the other string. [3] [4] [5]
Fuenllana preferred the voice accompanied by vihuela to the vihuela solo. The vocal parts are written in red ciphers, indicating which notes are to be sung while the black ones are to be played on the vihuela; alternatively, one can play the whole intabulation although it is often very demanding (e.g., Mateo Flecha's Ensalada 'La Bomba' in the ...
Enríquez de Valderrábano (c. 1500 – after 1557) was a Spanish vihuelist and composer. There is little biographical data on this composer of early music, but his Libro de música de vihuela intitulado Silva de Sirenas, published in Valladolid, Spain, in 1547, states he is a citizen of Peñaranda de Duero, and the book is dedicated to Francisco de Zúñiga, the Fourth Count of Miranda.
Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. [158] By 1790 only six-course vihuela guitars (six unison-tuned pairs of strings) were being created and had become the main type and model of guitar used in Spain.
The Guitarra de golpe is a stringed musical instrument from Mexico. [1] It has 5 nylon strings in 5 courses. The headstock traditionally has a traditional shape that is designed to look like a stylised owl with wooden pegs, but nowadays this is sometimes replaced with a guitar or vihuela style headstock with machine heads. For a while during ...