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The song appears on the soundtrack to 500 Days of Summer (2009); in the film, it is used to bring the main characters together. [30] It is also played at the end of David Fincher's film The Killer (2023), which features many songs from The Smiths.
Two soundtrack albums were released for the film (500) Days of Summer.The first of the two soundtrack albums titled 500 Days of Summer: Music from the Motion Picture featured various pop songs from the film whose tracklist was released on June 24, 2009, [1] and the soundtrack released through Sire Records launched on July 13, 2009.
(500) Days of Summer is a 2009 American comedy-drama film directed by Marc Webb, [3] written by Scott Neustadter and Michael H. Weber, and produced by Mark Waters.The film stars Joseph Gordon-Levitt and Zooey Deschanel as Tom and Summer respectively, and in a nonlinear narrative structure, Tom chronicles the story of his relationship with Summer.
The Smiths were an English rock band formed in Manchester in 1982, composed of Morrissey (vocals), Johnny Marr (guitar), Andy Rourke (bass) and Mike Joyce (drums). Morrissey and Marr formed the band’s songwriting partnership. The Smiths are regarded as one of the most important acts to emerge from 1980s British independent music.
In 2009, they recorded two songs for M. Ward's sixth studio album Hold Time and contributed a cover version of The Smiths' "Please, Please, Please, Let Me Get What I Want" to the (500) Days of Summer soundtrack.
The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class. [12] Throughout their career, Morrissey drew attention during interviews and live performances for his provocative statements, such as criticising the Thatcher administration and being pro-vegetarian ...
Zooey Deschanel has her own dream endings for two of her most iconic movie characters: Anita from Almost Famous and Summer from 500 Days of Summer. “The thing about Anita is you don’t really ...
Johnny Marr wrote the music to "Please Please Please Let Me Get What I Want" shortly after its eventual A-side, "William, It Was Really Nothing".Marr commented, "Because that was such a fast, short, upbeat song, I wanted the B-side to be different, so I wrote 'Please Please Please Let Me Get What I Want' on Saturday in a different time signature—in a waltz time as a contrast". [5]