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Kwaidan is a symphony of color and sound that is truly past compare." [15] Variety described the film as "done in measured cadence and intense feeling" and that it was "a visually impressive tour-de-force." [16] In his review of Harakiri, Roger Ebert described Kwaidan as "an assembly of ghost stories that is among the most beautiful films I've ...
Kwaidan: Stories and Studies of Strange Things (怪談, Kaidan, also Kwaidan (archaic)), often shortened to Kwaidan ("ghost story"), is a 1904 book by Lafcadio Hearn that features several Japanese ghost stories and a brief non-fiction study on insects. [1] It was later used as the basis for a 1964 film, Kwaidan, by Masaki Kobayashi. [2]
Kaidan entered the vernacular during the Edo period, when a parlour game called Hyakumonogatari Kaidankai became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.The popularity of the game, as well as the acquisition of a printing press, led to the creation of a literary genre called kaidanshu.
Kaidan is a Japanese ghost story or horror story.. Kaidan or Kwaidan may also refer to: . Kwaidan: Stories and Studies of Strange Things, 1904 book by Lafcadio Hearn . Kwaidan, a 1964 Japanese film by Masaki Kobayashi based on the Hearn book
Masaki Kobayashi (小林 正樹, Kobayashi Masaki, February 14, 1916 – October 4, 1996) was a Japanese film director and screenwriter, best known for the epic trilogy The Human Condition (1959–1961), the samurai films Harakiri (1962) and Samurai Rebellion (1967), and the horror anthology Kwaidan (1964). [1]
怪談 (meaning ghost story) may refer to: . The Unbelievable (1996 TV series) Hong Kong TV show about the paranormal and supernatural in East Asia; Kaidan (kwaidan) generally ghost story or horror story; restrictedly, traditional Japanese ghost stories and supernatural tales
"The Dream of Akinosuke" (あきのすけの夢, Akinosuke no Yume) is a Japanese folktale, made famous outside Japan by Lafcadio Hearn's translation of the story in Kwaidan: Stories and Studies of Strange Things.
Additionally, Kwaidan showcases one commonality seen in various Japanese horror films, that being the recurring imagery of the woman with long, unkempt hair falling over her face. [11] Examples of other films created after Kwaidan weaving this motif into the story are Ring (1998), Ju-On: The Grudge (2002), and Exte (2007). [11]