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The oboe concerto was rediscovered by Bernhard Paumgartner in 1920, who found a handwritten set of parts in the Salzburg Mozarteum archives, and recognized the similarity with the flute concerto in D. [2] [1] Alfred Einstein, editor of the third edition of the Köchel catalogue (1937), noted that both a D major and a C major copy of the K. 314 ...
GWV 302 — Concerto for oboe d'amore in C major; GWV 303 — Concerto for 2 chalumeaux in C major; GWV 304 — Concerto for 2 violins in C major; GWV 305 — Concerto for 2 flutes in C major; GWV 306 — Concerto for chalumeau, bassoon and cello in C major; GWV 307 — Bassoon Concerto in C minor; GWV 308 — Trumpet Concerto in D major
Concerto for Flute, Harp, and Orchestra in C major, K. 299 (1778) Oboe Concerto in C major, K. 314 (1777) (has come down to us as the second flute concerto, but was almost certainly an oboe concerto) Flute Concerto No. 1 in G major, K. 313 (1778) Flute Concerto No. 2 in D major, K. 314 (1778) (an arrangement of the above Oboe Concerto)
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Mozart: Piano Concerto No. 21 in C major, K 467 / Piano Concerto No. 26 in D major, K 537 "Coronation"* / Variations (12) for Piano in C major on "Ah vous dirai-je maman", K 265+ For contractual reasons, the Cleveland Orchestra was billed as the Columbia Symphony Orchestra on this recording.* Robert Casadesus, piano; André Previn+, piano ...
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
Mozart composed both the solo concerto in C major K. 314/285d and the lost original of Sinfonia Concertante in E ♭ major K. 297b, as well as a fragment of F major concerto K. 417f. Haydn wrote both the Sinfonia Concertante in B ♭ Hob. I:105 and the spurious concerto in C major Hob. VIIg:C1.
P III: 5 – Oboe Concerto Op. 37 in F major; P III: 6 – Violin Concerto Op. 41 in B flat major; P III: 7 – Violin Concerto Op. 42 in E major; P III: 8 – Violin Concerto Op. 43 in F major; P III: 9 – Violin Concerto Op. 44 in D major; P III:10 – Flute Concerto Op. 44 in D major; P III:11 – Oboe Concerto Op. 52 in F major