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17. “Father and Son” by Cat Stevens. Release Year: 1970 Genre: Folk Like most of Cat Stevens’ music, this touching tune about fathers and sons is sappy in the best way possible.
Name of song, writer(s), original release, and year of release Song Writer(s) Original release Year Ref. "45 Revolutions Per Minute" [a] John Fogerty
Porter would frequently return to the list song form, notable examples include "You're the Top" from the 1934 musical Anything Goes, [25] [26] [27] "Friendship", one of Porter's wittiest list songs, from DuBarry Was a Lady, [28]: 483 and "Farming" and "Let's Not Talk About Love" both from Let's Face It!
Signature songs can be the result of spontaneous public identification, or a marketing tool developed by the music industry to promote artists, sell their recordings, and develop a fan base. [1] Artists and bands with a signature song are generally expected to perform it at every concert appearance, often as an encore on concert tours ...
Young's songs "Southern Man" and "Alabama" The band felt that Young had slandered the entire American South based on the actions of a few individuals. 1975 "Death on Two Legs (Dedicated to...)" Queen: Norman Sheffield: Sheffield's alleged mismanagement and embezzlement of the band's earnings [22] Apr 1, 1976 "Silly Love Songs" Paul McCartney ...
One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem: Ayn Rand: Song shares themes with the novel, such that Neil Peart recognized Rand in the album's liner notes. [32] "Abigail" Creatures: Motionless in White: The ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
Song that uses alliteration regarding the word "red". [53] "Between the Wheels" Grace Under Pressure: 1984 "The idea of ‘Between the Wheels’ was really kind of the opposite of ‘Digital Man,’ where life goes faster than a person does." ~ Neil Peart [54] "The Big Money" Power Windows: 1985