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In ancient Greek religion and myth, Dionysus (/ d aɪ. ə ˈ n aɪ s ə s /; Ancient Greek: Διόνυσος Diónysos) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre.
Bacchus (c. 1596) is an oil painting by Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) commissioned by Cardinal Del Monte. The painting shows a youthful Bacchus reclining in classical fashion with grapes and vine leaves in his hair, fingering the drawstring of his loosely draped robe.
Bacchus (1496–1497) [1] is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and represents Bacchus , the Roman god of wine , in a reeling pose suggestive of drunkenness.
Bacchus is seen here after recent restoration work. Colors closer to original and details are better visible again. Bacchus, originally Saint John the Baptist, is a painting in the Musée du Louvre, Paris, France, by the Italian Renaissance artist Leonardo da Vinci and Francesco Melzi, while in Leonardo's workshop.
The Bacchanalia were Roman festivals of Bacchus, the Greco-Roman god of wine, freedom, intoxication and ecstasy. They were based on the Greek Dionysia and the Dionysian Mysteries, and probably arrived in Rome c. 200 BC via the Greek colonies in southern Italy, and from Etruria, Rome's northern neighbour.
The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome.
The Temple of Bacchus is part of the Baalbek archaeological site, in Beqaa Valley region of Lebanon. [1] The temple complex is considered an outstanding archaeological and artistic site of Imperial Roman Architecture and was inscribed as a UNESCO World Heritage Site in 1984. [ 1 ]
Bacchus by Caravaggio. Introduced into Rome (c. 200 BC) from Magna Graecia or by way of Greek-influenced Etruria, the bacchanalia were held in secret and attended by women only, in the grove of Simila, near the Aventine Hill, on 16 and 17 March. Subsequently, admission to the rites were extended to men, and celebrations took place five times ...