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The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
The instrument also made it into artwork on the Silk Road near China. 1451 A.D. Panpipes. Panflute An instrument of shepherds in the late Roman Empire, seen in 3rd century A.D. Christian art. The instrument was widespread, appearing in Chinese art from the Tang dynasty featuring men on the Silk Road. 842–850 A.D., Carolingian Empire.
Maurice Ravel preferred the keyboard version of the instrument because it can play a true ff dynamic for brilliance and iridescence in orchestral climaxes. [3] In the late 20th century, the firm of Bergerault began manufacturing a three-octave (F 2 –E 4 ) mallet instrument with a damping mechanism operated by a foot pedal, which is capable of ...
Although most of the instruments built before the 1730s were small (four octaves, four feet long), the latest instruments were built up to seven feet long with a six octave range. [1] It was a preferred instrument in the 18th century due to its unique expressive features, size, elegance, and affordability.
Today in England, folk musicians still play a version of the ugly stick, calling it a “mendoza” or a “monkey stick.” In Australia, it is known as a “lagerphone,” after the beer or lager bottle caps used in its construction; there are similar aboriginal instruments made using shells instead of bottle caps. [1]
The English concertina and the Duet concertina bear similarities in history and construction. Both systems generally play a chromatic scale and are unisonoric, with each key producing the same note whether the bellows are being pushed or pulled. Both of these English instruments are smaller than German concertinas, and are usually hexagonal in ...
The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities. Firstly, it was much louder than all the older folk instruments put together. It could easily be heard in even the wildest pub above the stomping of dancing feet.
Another modification of the instrument is that by musicologist Vidyadhar Oke, who developed a 22-microtone harmonium, which can play 22 microtones as required in Indian classical music. The fundamental tone ( Shadja ) and the fifth ( Pancham ) are fixed, but the other ten notes have two microtones each, one higher and one lower.