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The 2011 documentary Bully received an R rating for the profanity contained within the film, which prevented most of the intended audience, middle and high schoolers, from seeing the film. The film's director, Lee Hirsch, has refused to recut the film, stating, "I feel a responsibility as a filmmaker, as the person entrusted to tell (these kids ...
An example of a rating, which is TV-14 with all content descriptors (D, L, S, and V) Some thematic elements, according to the FCC, "may call for parental guidance and/or the program may contain one or more of the following" sub-ratings, designated with an alphabetic letter: [11] [12] D – Sexual or suggestive dialogue (not used with the TV-MA ...
R 18+ and X 18+ restricted classifications are not permitted for free-to-air broadcast in Australia. Many R 18+ movies on DVD/Blu-ray are often edited on Free TV/cable networks, to secure an MA 15+ classification or lower. Some movies that were classified R 18+ on DVD have since been aired on Australian TV with an MA 15+ classification.
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The FSK rating also limits the time of the day in which the movie may be aired on free-to-air TV stations to a time frame between 22:00 (FSK 16) or 23:00 (FSK 18) and 6:00. Stations are permitted to broadcast films not approved for audiences under 12 at their own discretion.
The information in the score field should be the rating given in the review (e.g. 4/5). The rating should use the same format as in the review, to accurately portray the score of the review. For star ratings you should use the star rating template; for example, entering {{Rating|4.5|5}}, will render: .
Before 2015, unlike the theatrical ratings, only three are applied to video releases and printed on labels: General Audience (G) for films previously rated G in cinemas, Parental Guidance (PG) for most PG and some R-13 or R-16 titles (with cuts for the R-ratings), and Restricted For Adults (R) for some R-13, many R-16, and most R-18 titles ...
The United States pay television content advisory system is a television content rating system developed cooperatively by the American pay television industry; it first went into effect on March 1, 1994, on cable-originated premium channels owned by the system's principal developers, Home Box Office, Inc. and Showtime Networks.