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Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
A palomino mare with a chestnut foal. This golden shade is widely recognized as palomino. Palomino is a genetic color in horses, consisting of a gold coat and white mane and tail; the degree of whiteness can vary from bright white to yellow. The palomino color derived from the inter-breeding of Spanish horses with those from the United States. [1]
Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent". Xiuhcoatl was a common subject of Aztec art , including illustrations in Aztec codices , and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [ 1 ]
The mask of Xiuhtecuhtli, from the British Museum, of Aztec or Mixtec provenance. [9]Xiuhtecuhtli's face is painted with black and red pigment. [16] Xiuhtecuhtli was usually depicted adorned with turquoise mosaic, wearing the turquoise xiuhuitzolli crown of rulership on his head and a turquoise butterfly pectoral on his chest, [27] and he often wears a descending turquoise xiuhtototl bird ...
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Light palomino Quarter Horse, which may be described as isabelline. Isabelline (/ ɪ z ə ˈ b ɛ l ɪ n /; also known as isabella) is a pale grey-yellow, pale fawn, pale cream-brown or parchment colour. It is primarily found in animal coat colouring, particularly plumage colour in birds and, in Europe, in horses. It also has historically been ...
[1] [2] [10] Much of what is known about Huichol designs and symbols was put together by Norwegian explorer and ethnographer Carl Lumholtz in the late 19th century, but Huichol art and decoration has since become more varied. [1] [5] However, plant and animal motifs remain the most common and most retain their original meaning. [5]
The most important of these materials was turquoise which the Zuni regard as the sacred stone. Jet, shell (primarily mother-of-pearl), and coral are also frequently used. These materials and their associated colors are principle in the Zuni sunface, a cultural symbol which is present in Zuni jewelry and fetishes and represents their Sun Father.