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Diederich’s devotion to paper cutting, begun at the age of five, continued throughout his career. The paper cutouts proved to be closely related to his wrought-iron works. Because the two-dimensional, silhouetted, design-oriented aesthetic was identical in both mediums, the artist found he could experiment with forms in paper first, then ...
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC) [11], long before paper was invented.
Chinese paper cutting, in a style that is practically identical to the original 6th-century form. Jianzhi (Chinese: 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself.
Scherenschnitte (German pronunciation: [ˈʃeːʁənˌʃnɪtə]), which means "scissor cuts" in German, is the art of paper cutting design. The artwork often has rotational symmetry within the design, and common forms include silhouettes, valentines, and love letters.
Scissors are used for cutting various thin materials, such as paper, cardboard, metal foil, cloth, rope, and wire. A large variety of scissors and shears all exist for specialized purposes. Hair-cutting shears and kitchen shears are functionally equivalent to scissors, but the larger implements tend to be called shears.
In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, ' cut ', and kami, ' paper ', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting.
They range in size from 00 to 5 being 3 + 1 / 4 to 4 + 3 / 4 pounds (1.5–2.2 kg) with the cutting edge 3 to 4 + 1 / 2 inches (75–115 mm) wide. [13] On the modern, steel adze the cutting edge may be flat for smoothing work to very rounded for hollowing work such as bowls, gutters and canoes.
The museum contains paper-cut works by Zhang Xiufang and Zhang Muli, in addition the museum contains lamps decorated with paper cuts. [7] In 2016, the museum organized an exhibition with works by Hsing Yun. The museum also houses works by Zhao Hongmei and Zhang Yongshou. [8] The museum is divided into four sections [9]
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