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Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...
Acanthus is a genus of about 30 species of flowering plants in the family Acanthaceae, native to tropical and warm temperate regions, ...
It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his Stilfragen of 1893.
Acanthus (plant), a genus containing plants used for ornament and in traditional medicine Acanthus (ornament) , ornamental forms in architecture using the leaf shape Acanthus , an entomological term for a thornlike projection on an insect , typically a single-celled cuticular growth without tormogen (socket) or sensory cells
The first includes ornaments adopted from antiquity: grotesques, architectural ornaments such as the orders, foliage scrolls and self-contained elements such as trophies, terms and vases. A second group, far smaller than the first, comprises modern ornaments: moresques, interlaced bands, strapwork, and elements such as cartouches"—categories ...
Roman ornament techniques include surface-modeling, where ornamental styles are applied onto a surface. This was a common ornamental style with marble surfaces. [8] One common ornamental style was the use of acanthus leaf, a motif adopted from the Greeks.
Acanthaceae is a family of dicotyledonous flowering plants in the order Lamiales.The acanthus family includes almost 250 genera and about 2500 species. Most are tropical herbs, shrubs, or twining vines; some are epiphytes.
Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik is a book on the history of ornament by the Austrian art historian Alois Riegl. It was published in Berlin in 1893. The English translation renders the title as Problems of style: foundations for a history of ornament, although this has been criticized by some.