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Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4; Cunnington, C. Willett and Phillis Emily Cunnington: Handbook of English Costume in the Eighteenth Century. London: Faber, 1972. Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for ...
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Pages in category "18th-century fashion" ... Galerie des Modes et Costumes Français; Gallery of Fashion; ... (clothing) Malahai;
The Great Male Renunciation (French: Grande Renonciation masculine) is the historical phenomenon at the end of the 18th century in which wealthy Western men stopped using bright colours, elaborate shapes and variety in their dress, which were left to women's clothing. Instead, men concentrated on minute differences of cut, and the quality of ...
This practice later contracted to the provision of standardized clothing to male servants, often in a colour-scheme distinctive to a particular family. The term most notably referred to the embroidered coats, waistcoats, knee breeches and stockings in 18th-century style, worn by footmen on formal occasions in grand houses. Plainer clothing in ...
The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of fashion" [2] in terms of high-end clothing, fastidious eating, and gambling. He mixed Continental affectations with his British nature, like a practitioner of macaronic verse (which mixed English and Latin to comic effect), laying himself open to satire.
Simple American bonnet or mobcap, in a portrait by Benjamin Greenleaf, 1805. A mobcap (or mob cap or mob-cap) is a round, gathered or pleated cloth (usually linen) bonnet consisting of a caul to cover the hair, a frilled or ruffled brim, and (often) a ribbon band, worn by married women in the 18th and early 19th centuries, when it was called a "bonnet".
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