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Piano Sonata No. 5 Maurice Verheul 7 hours 18 minutes 441 (manuscript) [28] [self-published source?] Piano Symphony No. 0 Kaikhosru Shapurji Sorabji 5½ hours 333 (manuscript) [29] A3 Piano Symphony No. 1 (Tāntrik) Kaikhosru Shapurji Sorabji 4½ hours 284 (manuscript) [30] A3 Piano Symphony No. 2 Kaikhosru Shapurji Sorabji 4½ hours
The Toccata in C major, Op. 7 by Robert Schumann, was completed in 1830 and revised in 1833.The piece is in sonata-allegro form. [1]The work was originally titled Etude fantastique en double-sons (Fantastic Study in Double Notes), and was infamously referred to by Schumann as the "hardest piece ever written"—to this day it remains as "one of the most ferociously difficult pieces in the piano ...
Opus clavicembalisticum is a work for solo piano, notable for its length and difficulty, composed by Kaikhosru Shapurji Sorabji and completed on 25 June 1930. [1]At the time of its completion, it was the longest piano piece in existence, taking around 4–4½ hours to play, depending on tempo.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Islamey: Oriental Fantasy (Russian: Исламей: Восточная фантазия), is a composition for piano by Russian composer Mily Balakirev written in 1869. Harold C. Schonberg noted that Islamey was "at one time…considered the most difficult of all piano pieces and is still one of the knucklebusters."
The piece also contains an incipient instance of the mystic chord which helps illuminate its origins in tonal language; first appearing at m. 122, the set [0 2 4 6 T] is presented as a dominant chord with its flat fifth in the bass, later revealed to be an extended appoggiatura to the tonic (m. 134), over which the same notes form a major 13th ...
Completed in 1818, it is often considered to be Beethoven's most technically challenging piano composition [42] and one of the most demanding solo works in the classical piano repertoire. [43] [44] The Piano Sonata No. 1 in C, Op. 1 by Johannes Brahms opens with a fanfare similar to the fanfare heard at the start of the Hammerklavier sonata.
The number of studies is often given as 54, with Op. 25, No. 2 having one study written as a considerably different ossia of another; a similar ossia also exists for one of the studies on Op. 25, No. 3, so the total number of studies can be taken to be 55. In contrast, Godowsky's original numbering scheme runs only to 48.