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"Past Three O'Clock" (or "Past Three a Clock") is an English Christmas carol, loosely based on the call of the traditional London waits, musicians and watchmen who patrolled during the night, using a musical instrument to show they were on duty and to mark the hours. [1]
The Bells of Dublin is a 1991 album of Christmas songs and traditional carols by the Irish band The Chieftains.The album features guest performances by various artists, including Elvis Costello, Jackson Browne, Kate & Anna McGarrigle, Marianne Faithfull, Nanci Griffith, Rickie Lee Jones and the actor Burgess Meredith.
"Past Three O'Clock" (or "Past Three a Clock") English traditional, with verses written by George Ratcliffe Woodward: first published in The Cowley Carol Book with a harmonisation by Charles Wood "Rise Up Shepherd and Foller" African American spiritual [11] c. 1909 Also known as "Rise Up Shepherd and Follow" "The Rocking Carol"
The Westminster Quarters, from its use at the Palace of Westminster, is a melody used by a set of four quarter bells to mark each quarter-hour. It is also known as the Westminster Chimes, Cambridge Quarters, or Cambridge Chimes, from its place of origin, the Church of St Mary the Great, Cambridge.
George Ratcliffe Woodward (27 December 1848 – 3 March 1934) was an English Anglican priest who wrote mostly religious verse, both original and translated from ancient authors. The best-known of these were written to fit traditional melodies, mainly of the Renaissance .
Much more surprisingly, in Hansard (the official record of the British Parliament) for July 2012; in amending Standing Orders we have "Leave out ‘one o’clock and half past three o’clock in the afternoon on Mondays or’ and insert ‘five minutes to one o’clock and two o’clock in the afternoon on Mondays, between the hours of one o ...
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"3 O'Clock Blues" or "Three O'Clock Blues" [1] is a slow twelve-bar blues recorded by Lowell Fulson in 1946. When it was released in 1948, it became Fulson's first hit. When B.B. King recorded the song in 1951, it became his first hit as well as one of the best-selling R&B singles in 1952. [2]