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Tamonten in Tōdai-ji, Wood, Edo period. Sculpture in Japan began with the clay figure. Towards the end of the long Neolithic Jōmon period, "flame-rimmed" pottery vessels had sculptural extensions to the rim, [1] and very stylized pottery dogū figures were produced, many with the characteristic "snow-goggle" eyes.
Various materials have been used for the sculptures. Although most are wooden, 12 entries in the list are bronze, 11 are lacquer, 7 are made of clay and 1 entry, the Usuki Stone Buddhas, is a stone sculpture. Typically hinoki, Japanese nutmeg, sandalwood and camphorwood were the woods used for the wooden sculptures. Wooden sculptures were often ...
The seated wooden statue of Dainichi Nyorai (木造大日如来坐像, mokuzō Dainichi Nyorai zazō) at the Shingon temple of Enjō-ji in Nara is the earliest and best-substantiated work by Japanese master sculptor Unkei. An inscription on the pedestal records that he began work on the piece in 1175 and brought it to completion the following year.
Standing Wooden Kichijōten, inside a portable shrine 厨子入木造吉祥天立像 zushi iri mokuzō Kisshōten ryūzō: Kamakura period: Kizugawa: Jōruri-ji: Standing Wooden Kūya Shōnin 木造空也上人立像 mokuzō Kūya Shōnin ryūzō
Kibori kuma (Japanese: 木彫り熊) is a Japanese rural craft that consists of a wooden carving of a bear with a fish in its mouth. The sculptures are mainly produced in Hokkaido; small carvings are sold as souvenirs of the island.
Most (109) sculptures are wooden, twelve entries in the list are bronze, eleven are lacquer, seven are made of clay, and one entry, the Usuki Stone Buddhas, consists of a group of stone sculptures. The statues vary in size from just 10 cm (3.9 in) to 13 m (43 ft) and 15 m (49 ft) for the Great Buddhas of Nara and Kamakura .
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