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An animal painter is an artist who specialises in (or is known for their skill in) the portrayal of animals. The OED dates the first express use of the term "animal painter" to the mid-18th century: by English physician , naturalist and writer John Berkenhout (1726–1791). [ 2 ]
Jean-Baptiste Oudry (French pronunciation: [ʒɑ̃ batist udʁi]; 17 March 1686 – 30 April 1755) was a French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game. His son, Jacques-Charles Oudry, was also a painter.
Animalier school or animalier [1] [2] [3] art was a late-18th and 19th-century artistic genre and school of artists who focused on depictions of animals. The movement was largely centered in France, with some artists producing related subject matter in England, Italy, Germany, Russia, and North America.
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
Jacques-Laurent Agasse (April 24, 1767 – December 27, 1849) was an animal and landscape painter from Switzerland. Born at Geneva , Agasse studied in the public art school of that city. Before he turned twenty he went to Paris to study in veterinary school to make himself fully acquainted with the anatomy of horses and other animals.
James Ward was one of the outstanding artists of the day, his singular style and great skill set him above most of his contemporaries, markedly influencing the growth of British art. Regarded as one of the great animal painters of his time, James produced history paintings, portraits, landscapes and genre.
From 1781 to 1794, he was a scene painter at Covent Garden. [2] The Lynx from Catton's 1788 book. In 1788 he published an early book of coloured aquatints, Animals Drawn from Nature and Engraved in Aqua-tinta. The book included images and descriptions, written and etched by Catton, of thirty-six animals from around the world. [3]
He then worked as a coach and ornamental painter with his brother in Liverpool, and also worked for a time in Lancaster and Manchester. In 1785 he married Margaret Harrison, a widow. In 1787 Towne exhibited a small landscape in an exhibition in Liverpool. By the 1790s he was an established animal painter with a style reminiscent of Stubbs.
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