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Ezekiel Saw the Wheel", often given as "Ezekiel Saw de Wheel" is an African American spiritual. The song's music and text has no known author, but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century. The lyrics to the song are based on Chapter I of the Book of Ezekiel.
Both a long and a shortened version of the song are widely known. The lyrics are inspired by Ezekiel 37:1–14, in which the prophet Ezekiel visits the Valley of Dry Bones [2] and prophesies that they will one day be resurrected at God's command, picturing the realization of the New Jerusalem.
"Swing Down Sweet Chariot" (sometimes "Swing Down, Ezekiel" or "Swing Down Chariot") is an American spiritual song. It tells the story of Ezekiel's vision of the chariot. The title and lyrics are very similar to the spiritual song "Swing Low, Sweet Chariot", and is thought to be an adaptation of said song. Composer and lyricist Wallis Willis is ...
This song's five verses refer to different biblical stories. The first verse refers to Enoch from Genesis 5:21-24. Verse 2 is based on Acts 16:25-26. The third verse refers to Moses and the burning bush from Exodus 3:2. The fourth verse (and the title) is based on the story from Ezekiel 37:1-10.
Gaudete by Collegium Vocale Bydgoszcz The first page of the original version. Gaudete (English: / ɡ ɔː ˈ d iː t iː / gaw-DEE-tee or English: / ɡ aʊ ˈ d eɪ t eɪ / gow-DAY-tay, Ecclesiastical Latin: [ɡau̯ˈdete]; "rejoice []" in Latin) [a] is a sacred Christmas carol, thought to have been composed in the 16th century.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
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Titles like "Bye and Bye We're Going to See the King" and "I Wouldn't Mind Dying (If Dying Was All)" are taken from the refrain. The title of the 1929 version by Washington Phillips, "A Mother's Last Word to Her Daughter", whose verses differ markedly from other versions, was presumably chosen to indicate that he intended it as a companion song to his "Mother's Last Word to Her Son" of 1927.