Search results
Results from the WOW.Com Content Network
There was a revival of the yamato-e style in the 15th century by the Tosa school, including a return to narrative subjects, and although the rival Kanō school grew out of the alternative tradition of Chinese-style works, the style it developed from the late 16th century for large paintings decorating Japanese castles included some elements of ...
Scene from a long narrative scroll retelling the history of a Buddhist monastery, by Tosa Mitsunobu (1434–1535). The Tosa school (土佐派, Tosa-ha) of Japanese painting was founded in the early Muromachi period (14th–15th centuries), [1] and was devoted to yamato-e, paintings specializing in subject matter and techniques derived from ancient Japanese art, as opposed to schools influenced ...
The pictorial style of the Heiji Monogatari Emaki is Yamato-e, [28] a Japanese painting movement (as opposed to Chinese styles) that peaked during the Heian and Kamakura periods. Artists of the Yamato-e style, a colourful and decorative everyday form of art, expressed in all their subjects the sensitivity and character of the people of the ...
More precisely, the style is part of a sub-genre of Yamato-e called otoko-e (lit. "painting of a man"). [41] The otoko-e style is characterised by the depiction of the life of the people outside the palace and the staging of historical and epic events, as opposed to the intimate and romanticised emakimono about life in the palace.
Its influence can be traced right up the Edo-period ukiyo-e or later. Scene from The Tale of Genji by Tosa Mitsuoki, from the 17th century Tosa school revival of the yamato-e. Works done in the hikime kagibana style show faces with essentially identical features.: [1] slit eyes and hook nose.
The Zuijin Teiki Emaki (随身庭騎絵巻, "Illuminated Scroll of the Imperial Guards" or "Illuminated Scroll of the Imperial Guard Cavalry"), is an emakimono or emaki (painted narrative handscroll) from the 13th century, in the Kamakura period of Japanese history (1185–1333).
The first group of Japanese in Chicago arrived in 1892. They came as part of the Columbian Exposition so they could build the Ho-o-den Pavilion in Chicago. [1] In 1893 the first known Japanese individual in Chicago, Kamenosuke Nishi, moved to Chicago from San Francisco. He opened a gift store, and Masako Osako, author of "Japanese Americans ...
The early Japanese texts above give three spellings of Yamato in kanji: 夜麻登 , 耶麻騰 (Nihon Shoki), and 山蹟 (Man'yōshū). The Kojiki and Nihon Shoki use Sino-Japanese on'yomi readings of ya 夜 "night" or ya or ja 耶 (an interrogative sentence-final particle in Chinese), ma 麻 "hemp", and to 登 "rise; mount" or do 騰 "fly; gallop