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spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
Title page of the first edition of the score, Vienna 1799. The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). [1]
I. Allegro con brio [ edit ] The first movement follows the sonata allegro format of the classical period , and borrows thematically from Beethoven's Piano Quartet No. 3 in C major , [ 5 ] WoO 36, from a decade earlier.
Con sordino: with sourdine (mute) With mute applied, esp. to string instruments: Senza sordino: without sourdine (mute) With mute removed Spiccato: separated, distinct; standing out: With a stringed instrument, played by bouncing the bow lightly on the strings Staccato: detached
I. Allegro con brio; II. Adagio; III. Allegro con spirito [2] References External links. Grand Duet: Scores at the International Music Score Library Project; This ...
Vivace con brio; Andantino cantabile; Allegro con spirito; The style of the work is neoclassical, with particular reference to harpsichordists such as François Couperin and Domenico Scarlatti, but also recalling Ravel's Tombeau de Couperin. [9] The opening movement is in sonata-allegro form, though certain aspects are open to interpretation.
Allegro con spirito; Theme and variations: Cantabile; In the second quartet, the piano and the strings are equal partners. [2] It opens unusually with an Adagio assai movement. The second movement is in sonata form, in E-flat minor. Some elements seem to anticipate the last movement of the Piano Sonata No. 8, the Pathétique.
The opening of the movement begins in a way that seemingly contradicts the allegro con spirito marking. Violin II, viola, and cello sustain a tonic chord while the first violin plays the melody (the "sunrise" motif) on top. In measure 7, the same instruments sustain a dominant seventh chord while the first violin again plays a rising solo on top.