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"Chicago" is a poem by Carl Sandburg about the city of Chicago that became his adopted home. It first appeared in Poetry , March 1914, the first of nine poems collectively titled "Chicago Poems". It was republished in 1916 in Sandburg's first mainstream collection of poems, also titled Chicago Poems .
Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems , and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
In the 12,000-word lyrical essay, Algren summarizes 120 years of Chicago history as a tangle of hustlers, gangsters, and corrupt politicians, but he ultimately declares his love for the city with these famous lines from Chapter 2: "It's every man for himself in this hired air. / Yet once you've come to be part of this particular patch, you'll ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
He has also written essays on still life painting, objects and intimacy, and a handbook for writers. His volumes of poetry include Sweet Machine (HarperCollins, 1998), Source, (HarperCollins, 2002), School of the Arts (HarperCollins, 2005) and Fire to Fire: New and Selected Poems (HarperCollins, 2008), which received the National Book Award. [11]
The Chicago School of literary criticism was a form of criticism of English literature begun at the University of Chicago in the 1930s, which lasted until the 1950s. It was also called Neo-Aristotelianism , due to its strong emphasis on Aristotle 's concepts of plot, character and genre.
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Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.