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"Chicago" is a poem by Carl Sandburg about the city of Chicago that became his adopted home. It first appeared in Poetry , March 1914, the first of nine poems collectively titled "Chicago Poems". It was republished in 1916 in Sandburg's first mainstream collection of poems, also titled Chicago Poems .
Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems , and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Marc Kelly Smith (born 1949) is an American poet and founder of the poetry slam movement, for which he received the nickname Slam Papi. [1]Smith was born in 1949 and grew up on the southeast side of Chicago.
Initially greeted with scorn by critics and newspaper editors in the city of its gaze (The Chicago Daily News famously called it a "Case for Ra(n)t Control"), it is now widely regarded by scholars as a definitive prose portrait of the city of Chicago, although it has never rivaled the literary status of Carl Sandburg's 1916 poem "Chicago ...
The hey-day of the New Criticism in American high schools and colleges was the Cold War decades between 1950 and the mid-seventies. Brooks and Warren's Understanding Poetry and Understanding Fiction both became staples during this era. Studying a passage of prose or poetry in New Critical style required careful, exacting scrutiny of the passage ...
The first issue of Chicago-based Poetry magazine appeared in 1912. While Chicago produced much realist and naturalist fiction, [9] its literary institutions also played a crucial role in promoting international modernism. The avant-garde Little Review (founded 1914 by Margaret Anderson) began in Chicago, though it later moved elsewhere.