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The body shall have 21 white stripes, each twice as wide as the 20 or 21 navy blue stripes. A genuine marinière has, front and back, twenty navy blue stripes each 10 millimetres (0.4 in) wide, spaced 20 millimetres (0.8 in) apart, and on the sleeves fourteen navy blue stripes spaced the same.
A lazy Susan in a Chinese restaurant. A lazy Susan is a turntable (rotating tray) placed on a table or countertop to aid in distributing food. Lazy Susans may be made from a variety of materials but are usually glass, wood, or plastic. They are circular and placed in the centre of a table to share dishes easily among diners.
Perugia tablecloths and napkins have been made since medieval times. These cloths are white with characteristic woven blue stripes and patterns. This style is also associated with church linen. [4] Victorian interiors were full of thick, fringed draperies in deep colours, including tablecloths reaching the floor. [5]
The zār itself (also called the incorporation phase by researchers) takes place in a U-shaped area called a Maidān, with the possessed person, tea, [3] and a tablecloth in the center. The tablecloth has lotus fruits (kunar), food, the meat and blood of the animal sacrifice, [10] eggs, dates, confetti, and herbs on
These are often Red Ensigns (e.g., Bermuda) or Blue Ensigns (e.g., New South Wales and Anguilla). A small number have backgrounds of other colors (e.g. British Antarctic Territory and Niue ) or a unique pattern in the field (e.g. British Indian Ocean Territory and Hawaii ).
The Blue Room (La chambre bleue) is a 1923 painting by French artist Suzanne Valadon. One of her most recognizable works, it has been called a radical subversion of representation of women in art. [1] Like many of Valadon's later works, it uses strong colors and emphasizes decorative backgrounds and patterned materials. [2]
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