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A text's authority is made more problematic when it has more than one author, when it falsely asserts itself to be someone else's work, or when it is revised many times. For instance: The forged diaries of Adolf Hitler have no authority as the work of their supposed author, but they do have authority as a witness to the intentions of Konrad ...
Instead of writing that someone took the plunge, state their action matter-of-factly. In general, if a literal reading of a phrase makes no sense given the context, the sentence needs rewording. Some idioms are common only in certain parts of the world, and many readers are not native speakers of English; articles should not presume familiarity ...
The ditto mark is a shorthand sign, used mostly in hand-written text, indicating that the words or figures above it are to be repeated. [1] [2]The mark is made using "a pair of apostrophes"; [1] "a pair of marks " used underneath a word"; [3] the symbol " (quotation mark); [2] [4] or the symbol ” (right double quotation mark).
The last line of a paragraph continuing on to a new page (highlighted yellow) is a widow (sometimes called an orphan). In typesetting, widows and orphans are single lines of text from a paragraph that dangle at either the beginning or end of a block of text, or form a very short final line at the end of a paragraph. [1]
Writing lines is a long-standing form of school discipline, having survived even as other old punishments such as school corporal punishment and dunce hats fell out of favour in the 20th century. [2] In a 1985 study, over half of respondent teachers in an English-speaking country indicated awareness of the use of writing to discipline students ...
Hypsos – great or worthy writing, sometimes called sublime; Longinus's theme in On the Sublime. Hysteron proteron – a rhetorical device in which the first key word of the idea refers to something that happens temporally later than the second key word; the goal is to call attention to the more important idea by placing it first.
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The author, they argue, cannot be reconstructed from a writing — the text is the primary source of meaning, and any details of the author's desires or life are secondary. Wimsatt and Beardsley argue that even details about the work's composition or the author's intended meaning and purpose that might be found in other documents such as ...