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Werner Herzog (born 1942) [1] is a German filmmaker whose films often feature ambitious or deranged protagonists with impossible dreams. [2] [3] Herzog's works span myriad genres and mediums, but he is particularly well known for his documentary films, which he typically narrates. [4]
Grizzly Man is a 2005 American documentary film by German director Werner Herzog.It chronicles the life and death of bear enthusiast and conservationist Timothy Treadwell and his girlfriend Amie Huguenard at Katmai National Park, Alaska.
Werner Herzog (German: [ˈvɛʁnɐ ˈhɛʁtsoːk]; né Stipetić; born 5 September 1942) is a German filmmaker, actor, opera director, and author.Regarded as a pioneer of New German Cinema, his films often feature ambitious protagonists with impossible dreams, [1] people with unusual talents in obscure fields, or individuals in conflict with nature. [2]
Without further ado, here are the 64 best documentaries of all time. Grizzly Man. Grizzly Man is a beautiful, harrowing film by director Werner Herzog about the life and death of Timothy Treadwell ...
Some of Werner Herzog's most notable films, fiction and documentary, include (clockwise from top left): Born in Munich, Germany during World War II, Herzog started making films as a teen.
Encounters at the End of the World is a 2007 American documentary film by Werner Herzog about Antarctica and the people who choose to spend time there. It was released in North America on June 11, 2008, and distributed by ThinkFilm. [2] At the 81st Academy Awards, the film was nominated for Best Documentary Feature.
On the review aggregator website Rotten Tomatoes, 92% of 49 critics' reviews of the film are positive, with an average rating of 7.50/10; the site's "critics consensus" reads: "Into the Inferno finds director Werner Herzog observing some of the most beautiful -- and terrifying -- wonders of the natural world with his signature blend of curiosity and insight."
Lo and Behold, Reveries of the Connected World is a 2016 American documentary film directed by Werner Herzog.In it, Herzog ponders the existential impact of such things as the Internet, robotics, artificial intelligence, and the Internet of things on modern human life. [2]