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The sunken-fret mandolin (mandolin phím lõm) did not meet the musical needs as well as the sunken-fret guitar, because the mandolin's rigidity made it painful to get the same effects from the strings. [120] Also the mandolin's narrow fretboard made it difficult to hit the notes. [120]
Other American-made variants include the mandolinetto or Howe-Orme guitar-shaped mandolin (manufactured by the Elias Howe Company between 1897 and roughly 1920), which featured a cylindrical bulge along the top from fingerboard end to tailpiece and the Vega mando-lute (more commonly called a cylinder-back mandolin manufactured by the Vega ...
That variant is known today as the Milanese or Lombardic mandolin, and retains the mandore's tuning. The Italians also called it the mandora or mandola. The latter name is still used in the mandolin family for an alto or tenor range instrument. From the mandola, the baroque mandolino was created, which in turn became the modern mandolin. [8] [6 ...
Kalamazoo is the name for two different lines of instruments produced by Gibson.In both cases Kalamazoo was a budget brand. The first consisted of such instruments as archtop, flat top and lap steel guitars, banjos, and mandolins made between 1933 and 1942, and the second, from 1965 to 1970, had solid-body electric and bass guitars.
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
B&G Guitars, a private build guitar company from Tel Aviv, Israel, uses their signature "backwards" sound holes on their guitars. [4] Holes not positioned on the top of an acoustic guitar are called soundports. They are usually supplementary to a main sound hole, and are located on an instrument's side facing upward in playing position ...
Crosspicking is a technique for playing the mandolin or guitar using a plectrum or flatpick in a rolling, syncopated style across three strings. This style is probably best known as one element of the flatpicking style in bluegrass music, and it closely resembles a banjo roll, the main difference being that the banjo roll is fingerpicked rather than flatpicked.
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